These are the printing mock-ups where the final composition and compositing are worked out before going into the darkroom. Printing notes would then be added in the darkroom and when completed, the mock-up would be used as a guide for when the prints are glued to the final panel. The percentages marked on the image are exposure notes indicating if parts of the image were to be printed lighter or darker.

It is this piece where the Christ figure is the most fragmented by printing his arms in small sections and curving them into an arc. The final image is composited from two different shots of the actor laying back on a saw horse. It was so awkward that I only shot two photos.